Monday, November 22, 2010

Wooden Playhouse Sale

THE VATICAN HAS APPROVED THE FILM blasphemous "I am with you" atheist GUIDO CHIESA

THE VATICAN HAS APPROVED THE FILM blasphemous "I AM WITH TE "atheist GUIDO CHIESA
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Article by Vatican Radio:

L ' intense relationship between Mary and Jesus in the film "I am with you" in competition at the Rome Film Festival 03/11/2010 14:20:29






The Italian director Guido Chiesa, known for his political commitment shown in previous films, presented in competition at the Rome Film Festival unexpected, intense and cinematic reconstruction of essential Gospels: Mary and Jesus are the focus of "I'm with you", a film in which love and trust between a mother and a Son preserve the mystery of God and His plan of salvation for humanity. The service Luca Pellegrini:

A mother and son. Play, smile, look, they hug. At the slightest danger, they are close. We are in Nazareth two thousand years ago. Guido Chiesa, after a series, although short, politically and socially engaged film, go to the movies, to tell the story of Mary and Jesus son of a sustained thought, wanted at all costs. The feeling is that that is the result of his spiritual need genuine and irrepressible, was born the day after his paternity and a broad exchange of ideas with his wife, Nicoletta Micheli, with whom he has participated in the drafting of screenplay, remodeled several times. We worked with early adhesion - he admits - the rational and materialistic type, only an intellectual and emotional. Then it became an act of faith and fidelity to that Gospel which was discovering and telling the cinema. We're out of traditional iconography, are on the side of Pasolini for the essential image of the hatch of the characters, but the intensity of the search does not stop at the fascinating history or appearance. It penetrates the soul. Maria is a humble woman put aside in the patriarchal family. It has a docile temperament and strong together, is opposed to violence and taxation rituals, stringe col figlio un rapporto di fiducia che ha un sapore soprannaturale, dove invece tutto il trascendente è oscurato, nel film, che si ferma soltanto a quel rapporto e al suo misterioso amore.

E’ ancora Guido Chiesa che spiega perché il Vangelo dell’infanzia lo ha così incuriosito e affascinato – pur se qualche episodio è tratto dagli Apocrifi, forse per dare un sapore originale al racconto: “Ho cercato di rivolgermi a tutti, senza distinzione di cultura, di fede, privilegiando una prospettiva femminile e proponendo un modello positivo fondato sull’amore, una parola oggi così vituperata”. Non è mai convenzionale, il regista, che si avvale di volti ignoti colti nella quotidianità life in Tunisia - to represent the most reliable environment in which they were Jesus' birth - a rough terrain and polychrome where it was shot on film that stretches from the days of the Annunciation to those of the finding of Jesus among the doctors the Temple. Guido Church has reiterated several times: do not want to offend, even if there are angels and shepherds, there's the comet, and there are the Magi. Mother and Son are the focus of his interest an artist and man, the first put herself entirely in the hands of God, confronts the mystery and pain, the second relies on the mother until he understands that his freedom may be more limited, its mission nel mondo è un’altra. “Racconto la storia di una donna che ha cambiato per sempre il volto dell’umanità” – precisa ancora il regista. “Io sono con te” è, per questo, un titolo ben scelto: Maria con il Figlio, Gesù con ciascuno di Noi.



http://www.oecumene.radiovaticana.org/it1/Articolo.asp?c=435987

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